Ceramics at UCLA
In the Ceramics Area students are encouraged to explore myriad ways of working with the medium of clay, engaging with art historical and contemporary critical issues. Classes provide instruction in form construction (hand-building and wheel-throwing) and surface design (glazing and other techniques), so that students become competent in the use of ceramic materials. The ceramic studio is equipped with throwing wheels, slab rollers, gas and electric kilns, glazes and raw materials, a walk-in spray booth, and ample work room.
Ceramics Faculty
Associate Professor
Candice Lin
Associate Professor and Ceramics Area Head
Anna Sew Hoy
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Lecturer
Laub
Lecturer
Kristen Morgin
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Lecturer
Tia Santana
Ceramics Lab Supervisor
Shoshi Watanabe
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Location & Contact Information
Ceramics Area Location
The Ceramics Area is located on the first floor of the Broad Art Center, Suite 1275
Ceramics AV / Clean Room - Room 1275A
Ceramics Glaze Room - Room 1275F
Ceramics Lab Supervisor
Shoshi Watanabe
T: (310) 825-8235
Office: Broad Art Center Suite 1275C
Lab Hours
Regular Hours will shift Quarterly based on class schedule.
Please check the Front Door for current hours.
Faculty Office Hours
Email faculty directly to arrange virtual office hours
Ceramics Faculty
Candice Lin, Associate Professor
T: (310) 794-0811
Office: 5200C Broad Art Center
Anna Sew Hoy, Associate Professor and Ceramics Area Head
T: (310) 825-3281
Office: 1275D Broad Art Center
Laub, Lecturer
Kristen Morgin, Lecturer
Tia Santana, Lecturer
Facilities & Equipment
The Ceramics Area includes a large throwing and handbuilding room, a glaze room, a kiln yard, a clean room, and a tool closet.
Instructional Materials Fee
All students must pay an instructional materials fee each quarter they are enrolled in Ceramics classes. As of January 2019, the fee is $65 and is payable to UC Regents. The fee supports access to mixed glazes, dry clay and glaze materials, firings and lab equipment and tools. Mixed clay from Laguna Clay is available in the studio for $8.75 per 25-pound bag. Other materials and supplies, such as epoxy glue and dust masks, are also available for purchase.
Throwing / Handbuilding Room
The main work area includes numerous works tables, a plaster wedging table, and throwing wheels. The wheels can accommodate any throwing style and are made by manufacturers such as Lockerbie, Brent, and Creative Industries. Additional equipment includes utility buckets, rulers, wooden mallets, plaster bats, cardboard tubes of various sizes, ware boards, canvas-covered boards, spray bottles, and a variety of electric and manual shop tools. In addition, the studio is equipped with premixed low fire engobes and high fire slips.
Glaze Room
The glaze room is stocked with prepared low fire and high fire glazes and oxides, dry glaze materials, spray guns, electric mixers, work tables, ware storage carts, and electric kilns.
Kiln Yard
The large, covered outdoor kiln yard is suitable for year-round work and is well-lit for evening use. The yard houses a variety of gas-fired kilns that range from 6 cubic feet to a large car kiln. In addition, the kiln yard contains a walk-in spray booth, plaster mold-making equipment, extruders, slip mixing equipment, a hand-cranked forklift, a hydraulic lift cart, and a variety of wheeled carts.
Clean Room
The Ceramics Area clean room is used for lectures and critiques. It houses the Ceramics Area library and is equipped with A/V projection equipment.
Ceramics Undergraduate & Graduate Courses
Undergraduate Ceramics Courses
Art 11E. Ceramics
Units: 4
Studio, eight hours; five hours arranged. Introduction to ceramic materials and processes, with emphasis on personal and cultural expression in ceramic media. Discussion of ceramics in contemporary artistic practice and social history of ceramic art. Letter grading.
Art 148. Advanced Ceramics
Units: 5
Studio, eight hours; seven hours arranged. Requisite: course 11E. Selected studies in ceramics, with emphasis on individualized creative experimentation with materials and techniques introduced in course. Methods and processes to be selected from range of possibilities, including handforming and modeling, preparation and use of molds, slipcasting, and use of potter’s wheel. May be repeated for maximum of 20 units. Letter grading.
Art 148A. Advanced Ceramics: Topics in Anti-Racism, Equity, Diversity, and Inclusion
Units: 5
Studio, eight hours; seven hours arranged. Requisite: course 11E. Varied approaches to clay media and content to develop students' technical, expressive, and conceptual tools to understand and explore anti-racism, equity, diversity, and inclusion. Combination of courses 148 and 148A may be repeated for maximum of 20 units. Letter grading.
Art 197. Individual Studies in Art
Units: 2 to 4
Tutorial, to be arranged. Preparation: 3.0 grade-point average in major. Corequisite: course 190. Limited to junior/senior art majors. Individual intensive studio project or independent study, with scheduled meetings to be arranged between faculty member and student. Tangible evidence of project or mastery of subject matter required. May be repeated for maximum of 8 units. Individual contract required. Letter grading.
Art 198. Honors Research in Art
Units: 2 to 4
Tutorial, to be arranged. Preparation: 3.0 grade-point average overall, 3.5 grade-point average in major. Corequisite: course 190. Limited to junior/senior art majors. Development and completion of comprehensive research or studio project under direct supervision of faculty member. May be repeated for maximum of 8 units. Individual contract required. Letter grading.
Ceramics Graduate Studies
Ceramics is one of six areas of study offered in the M.F.A. Art program. The Ceramics Area supports art practices in which material experimentation with clay propels critical thinking and work across disciplines. Graduate students have the opportunity to define their position in the world through their encounters with clay during this three-year course of study. They are challenged to originate expanded definitions of ceramics and mixed media, including clay-based elements in performance, video and installation.
Ceramics Area Head Anna Sew Hoy serves as the primary adviser to students admitted to this area of study. Students also may work with faculty across other areas within the Department of Art and other departments across the university.
All M.F.A. students are offered the use of individual studios off-campus in the UCLA Margo Leavin Graduate Art Studios, located in Culver City. In addition to individual studio spaces, the studio building houses photography, sculpture, ceramics, and computer labs, as well as open spaces for exhibitions, lectures, and group critiques. Although the Department of Art does not offer graduate level courses in the summer, the graduate studios are open year-round.
Graduate Ceramics Courses
Art 277. Graduate Ceramics
Units: 2 to 8
Studio, eight hours. Studies in ceramics and art with investigation of traditional and experimental processes and intellectual approaches to art practice utilizing ceramic media. Emphasis on development of significant body of original work reflecting student’s expressive and theoretical concerns. May be repeated for credit. Letter grading.
Art 276. Graduate Group Critique
Units: 4
Discussion, four hours; tutorial, to be arranged. Group critique/discussion of students' research. Additional tutorial meetings by arrangement with instructor. May be repeated for credit. Letter grading.
Art C280. Graduate Seminar
Units: 4
Seminar, three hours. Advanced topics in critical theory and study of contemporary art, with emphasis on individuals, issues, and methodologies. Possible areas of study include structuralism, deconstruction, feminist and psychoanalytic theory, commodification, and censorship. May be repeated for credit. Concurrently scheduled with course C180. Letter grading.
Art 284. Technical Studio
Units: 2 to 4
Studio, three hours; outside study, three to nine hours. Limited to Art MFA students. Selected topics in techniques related to advanced studio projects. May be repeated for credit. Letter grading.
Ceramics M.F.A. Candidates
Molly McDonald, www.mollymcdonaldart.com
Sophie Friedman-Pappas, sophiefriedmanpappas.com
Ayla Gizlice, ayla-gizlice.com
Jory Drew